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© Rakhesh Sasidharan

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Vocal Harmonizing

A few days ago I was listening to “Agar Tum Saath Ho” from the excellent movie “Tamashaa” and noticed for the first time (yeah after nearly 2-3 years of regularly listening to that song coz it is one of my favorites!) that Arijith has someone else singing along with him in the background. I had previously seen A.R. Rahman employ this in other favorites of mine like “Piya Haji Ali” (from the otherwise unremarkable “Fiza”) and also “Noon-Un-Ala-Noor” (from the artsy-but-worth-a-watch “Meenaxi”). But in both these cases I knew you the background singer was – it was obvious from the artists section of the song. But with “Agar Tum Saath Ho” I never noticed this other singer until a few days ago when I kind of slept in my bus ride home listening to this song on loop, and I think my mind just relaxed and stopped thinking other stuff … it just soaked in the song, was in the moment so to say, and I heard the other singer as obvious as anything else.

Turns out this other singer was Arijith himself, but in a different pitch (thanks Quora) and this technique is called vocal harmonizing. Nice, I didn’t know of this.

While typing this post I was post I was listening to “Aanandhame” from the movie “Aravindante Athithikal” (which I previously mentioned, I love its songs) and noticed that it too employs something similar. While Anne Amie is the primary voice, you can also hear Vineeth Sreenivasan lightly in the background singing along with her. Adds a lot of the feel of the song.

Speaking of “Aravindante Athithikal”, a lovely first half a very draggy second half. Wish the movie had just stuck on with the theme of first half or concluded there if it had nothing more to say. The second half would even have been fine if it didn’t drag so much towards the end about finding the mother!

Vocal Harmonizing by rakhesh is licensed under a Creative Commons Attribution 4.0 International License.